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APPLE
FINAL CUT PRO 4
VIDEO & AUDIO EDITING
218
www.bhphotovideo.com
PHOTO - VIDEO - PRO AUDIO
LiveType Titling
LiveType revolutionizes titling with
a breakthrough new font standard
— LiveFonts, the world’s first
animated font standard, as well as
a whole new way to create effects.
Now you can create dynamic,
professional-quality animated titles
quickly and easily with LiveFonts,
an easier-to-use approach to
keyframe animation, as well as
customizable effects, sophisticated
project templates, and royalty-free broadcast-quality animated content.
Features professionally animated font styles and a powerful FontMaker utility. So even before
you apply movement and effects to your titles, every character has a life of its own.
Includes 350 broadcast-quality animated textures and objects that you can use in your projects
royalty-free — in effect, allowing even non-animators to produce professional-level content.
Effects in LiveType are like digital building blocks — modular behaviors that include move-
ment, transformation and timing parameters. The pre-built effects that come with LiveType
give you the power to add fades, zooms, rotations, and motion to your titles, and you can cre-
ate your own styles by adjusting these existing effects within the LiveType interface. Create
your own effects dynamically on the fly, and can even save them for use on future projects.
Thanks to LiveType, creating animation is easier than ever before. Each keyframe, for instance,
contains all the parameters for an element, eliminating the time-consuming hassle of long
keyframe stacks. Powerful timing features allow y
ou to precisely control every aspect of your
animation. And since LiveType treats every character of the word as a separate layer, sequenc-
ing gives you the freedom to move single characters within a text block with individual timing
elements, so you’re not limited to using blocks of text that fly around the screen as one image.
Import and export QTime-supported
formats, including Photoshop, JPEG, TIFF and PICT.
Import clips from Final Cut Pro 4 complete with markers, so it’s easy to synchronize your
titles to important video and audio transitions in your Final Cut Pro 4 projects.
Soundtrack
The easiest way for video editors to
create original royalty-free music,
Soundtrack puts professional audio scor-
ing capabilities right at your fingertips.
Soundtrack lets you easily create high-
quality, royalty-free music for your proj-
ects. As a production tool, it’s perfect for
creating 15-, 30- and 60-second original
music content, promotion spot and
bumpers as well as longer programs.
Combine and arrange audio loops and
sound effects to create original, royalty-free
music soundtracks.
Combine and match loops of different
tempos and musical keys in real-time —
Soundtrack does it for you automatically,
so you don’t need to have a background in
music.
Automate your effects and entire mix for
complete creative control.
Import Final Cut Pro 4 video projects
complete with Scoring Markers to create
perfectly timed professional sounding
soundtracks.
Use the powerful search engine to quickly
find audio loops and sound effects based
on instrument, musical genre or mood.
Import AIFF, WAV, and ACID format audio
files, and get access to hundreds of third-
party, multi-genre, royalty-free loop CDs.
Soundtrack enables you to create original
music scores on your own — no profes-
sional musical experience necessary. And
by letting you develop your musical scores
in real time, Soundtrack allows you to
quickly evaluate dozens of different alter-
natives before you export your digital con-
tent for output.
Soundtrack includes thousands of profes-
sionally recorded, royalty-free instrument
and sound effects that you can start using
immediately to create original, high-quality
music scores.
As an added bonus, Soundtrack includes
over 30 powerful audio plug-ins like
reverb, EQ, delay and chorus, as well as
specialized effects from Emagic Logic
Platinum like SubBass, Bitcrusher and
AutoFilter.
Audio
A new on-screen audio mixer, along with an audio router and 24-channel output, raise the bar
for nonlinear editor-based audio editing. Final Cut Pro 4’s on-screen mixer supports 99 tracks.
Each track contains a fader, level meter, mute, solo and pan controls. A separate master section
in the mixer allows for adjustment of the overall level of the mix. Each output channel in the
master section includes peak hold level indicators to provide enhanced precision when viewing
your overall mix levels. You can define up to four separate views, allowing you to make quick
work of large multi-track mixing jobs.
The faders use a continuously varying log scale for more intuitive adjustment of levels and a
wider sweet spot around unity gain. Fader automation lets editors mix their audio in real-time.
Fader automation can be recorded in three ways — with all keyframes, with reduced keyframes
or as peaks only.
Any of the 99 available tracks in a sequence can be routed to 24 channels of discreet output.
Group audio channels into mono or stereo output groups and adjust attenuation values for each
channel. A stereo down-mix button lets you edit and monitor multi-channel projects easily
when working on a portable or where a multi-channel audio interface is inaccessible.
Canvas Wireframe Preview Media Browser
Track Information Customizable Effects Timeline
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